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PostClassical Ensemble premiers the 'Hiawatha Melodrama' at the U.Md.'s Clarice Smith Performing Arts Center

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Those familiar with the work of PostClassical Ensemble know that as an experimental musical laboratory testing the limits of orchestral programming, nothing is off limits and no conceptual stone ever remains unturned. If they're going to make the bold assertion about the radical duality of Dvorak's compositions, for example, they mean to prove it. "Dvorak -- before 1892 -- sounds 'Czech,' "...

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